During the turn of the year I have few of my artworks at Winter Art Market at Gumbostrand Konst & Form, a lovely gallery near the sea, in Sipoo not far from Helsinki. For example Okapi is there looking for a new home :
In 2023 I will continue with the super interesting PhotonArt project which I explained a bit in my previous post. I will be the artist in the team that explores colourants for glass.
Exhibition wise next year will bring up a group exhibition in Germany and a solo exhibition in my hometown Tampere, Finland. The latter presents the art that I am making as part of PhotonArt project. Galleria Himmelblau in old industrial buildings of Finlayson factory will host my exhibition at the end of 2023.
In Germany, Glass Museum Gernheim will present an extensive exhibition of contemporary engraved glass, proud to be part of that! The engraving exhibition will be there 19.3.-9.9.2022.
How about combining glass art, archeology and photonics in one project? I have been starting on a multidisciplinary PhotonArt project that does exactly that!
In this project glazes from ancient Chinese ceramics are being analyzed to both understand their composition and to design new glass materials and colours. Tampere University has received ceramic shards dating from Song Dynasty (960-1279AD) from the collections of ASET Stiftung. Song Dynasty ceramics are known for their elegant design and variety of different glazes. Glazing means a thin layer of glass both decorating and protecting the surface of the pottery.
Specific glazes were chosen for this project based on their color and texture which are due to the presence of crystals and metallic particles. In the first phase of the research the composition of glazes was analyzed using different scanning methods such as electron microscope and X-ray fluorescence.
The ancient Chinese glazes serve as an inspiration for development of new glass materials for both art and science. The aim is to create similar colours and metallic crystals in different glass compositions. The focus for photonics is in optical glass and enhancing and altering its properties, whereas glass artist is more interested in colour hues and artistic expression.
I consider it a great priviledge to be the artist in this project and get tailored colours to work with. Melting the glasses, blowing and sculpting them, grinding and engraving will reveal how the colours suit for small studio use.
Furthermore I will look for inspiration from the past, especially Song Dynasty ceramics – whether it be classical shapes, certain colours or motifs from tomb statues. At the end of next year I will be having an exhibition at Galleria Himmelblau, Tampere – there I will show the outcomes of this project!
The project is supported by Finnish Cultural Trust’s Pirkanmaa Regional Funds. Earlier this year they released an article on PhotonArt, you can check it on the link below :
In search of a perfect yellow or a perfect purple? I’m excited from a recent cooperation with Tampere University on glass colours. Together with the university we designed and tested colours for glass – and some of the colours will hopefully be suitable for my future artworks.
Read the article from University’s website, available both in English and Finnish :